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Australian Dress Register

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The Australian Dress Register

From the FAQ:

"Can I put a hat or a pair of shoes on the Register?

At this stage the primary focus is dress and accompanying accessories."

"Can I include an audio recording of an interview providing information on the history of the dress?

Yes. Audio recordings will be able to be uploaded online. "

I'll be psyched to browse this in late 2009, when it'll be available to the public. Also: other countries? And what about hats and shoes? Anyway, I think it's a marvelous idea.

The Australian dress I know best is the yellow one that Sybylla/Judy Davis picks out to wear in My Brilliant Career.

"Jordon, Jess, GO!" pointed me me to Phone Call to the 14th Century: "Impart as much useful knowledge as you can to a resident of the 14th century, in one minute -- GO!"


Kasper Hauser: Phone Call to the 14th Century

It occurred to me that you could use the same concept in a history classroom, and I hope one of my history-teaching friends will give it a try. Since most of you teach German history, you could do something like, "Phone Call to 1938 Germany." Play them the podcast, first, so they get the idea. I think it would be way better than "Historical Jepordy." Jordan S. -- try it with your high school students! Let me know how it goes!

Speaking of games, today I was thinking about the difference between people who play games for mastery (of rules, content, other players) versus those who play for engagement (with rules, content, other players) -- I know that's a little simplistic, and lots of people play for both, and there's probably other reasons to play, but anyway, that's just the kind of simplistic observation that strikes me on my dog walks. I should get Nat to recommend some books on game design theory.

Academic Rock Show!

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It was a nice coincidence that right after blogging about how academics can be made accessible to a wider audience, I was able to attend a talk by a genuine academic rock star: Edward Tufte. He wrote The Visual Display of Quantitative Information, among other books, is retired from academia, and is on some kind of national tour (a woman who I do a lot of side contract work for paid my way to the workshop). Tufte is a guy with genuine intellectual insights and an impressive franchise. A killer combination, and he slayed me! At the end of his talk (which he made a point of ending a little early -- what a genius! More about this below ...) I was ready to stand up with a lighter in my hand and scream, "DO FREEBIRD!!" but, discretion being the better part of cool, as his roadies broke down and he signed books, I filed out in an orderly fashion with the other 500 attendees to check out the merch table. And what merch there was! Books, posters, special graph paper -- frankly, I think he missed a real opportunity by not offering t-shirts and coffee mugs, but I guess you could consider that some kind of integrity. The merch he does offer is quite nice -- wonderful production value, beautiful to look at and hold, engaging and interesting to read. He publishes it all himself (I'm telling you, he is a franchise).

Anyway, ET (as he calls himself) while specializing in the visual representation of data, had a lot to say generally about making presentations which gives me new perspectives on the issues I raised in my last entry, as well as confirming much of what I already thought. He reproduces some of it here.

His website also has an interesting forum on making presentations where he quotes Terry Teachout's guide to public readings at length -- I notice that Teachout and I agree on much! But I am extra impressed to see that he suggests an even shorter period of time for performances than I do -- 30 minutes:

"(3) Time the speech exactly. Do not under any circumstances exceed your allotted time. In fact,

(4) Never speak for as long as you're asked. In my experience, thirty minutes is ideal, especially if you're new at this."

He's talking about readings, not lectures, but still, 30 minutes!!

The thing about Tufte was, he was a great model of all this stuff: He gave us lots of cool stuff to look at while he talked so when our attention wandered we were still getting his message; he ended early; he had interesting visuals but didn't over-rely on them. One thing that I noticed him doing which he doesn't mention as a specific strategy was that he began the sessions after each break by talking about things that weren't directly related to the topic, but were interesting enough to get you back in your seat in a hurry. In other words, he didn't try to herd us back into our seats, but drew us to them, and he also didn't start with things that people who came in a bit late and missed would be screwed without having heard (actually, since most of what he said is in his publications, it wouldn't really matter, anyway). As an overtly bossy person, this carrot approach to getting people back in their seats was a good model for me.

Finally, although it was something like a 6 hour seminar, because each segment ended early and the whole thing ended early overall, at the end of the day I felt refreshed and excited at the end rather than exhausted.

He also challenged my assumption that for a learning experience to be "interactive" you have to break people into groups or what have you. What he said was something like, if you give someone with a bunch of information to think about, like a complex chart, that is itself interactive because people will start interpreting it on their own. I still think that you have to be a rock star to get away with lecturing people for 6 hours, but then again, what about those get rich quick on real estateseminars?. Those things last a weekend. I'll bet I could learn a little something about engaging presentations from them. Maybe not so much about how to convey information, or even how to make money at real estate, but I'll bet you don't get bored.

Anyway, if you have the chance to see his talk (and have a lot of money or someone will pay for it) I'd say definitely go. He has a student rate, too. Otherwise, his books are cool, and his website is pretty good, too. Maybe I'll start following him from town to town and call myself a Tufte-Head (or something).

P.S. I almost forgot -- one of my favorite parts was when he told us all to use the gender neutral plural, "their," rather than switching around with "his or hers" etc. in presentatations or trainings to avoid sexism or speaking awkwardly. I've been in favor of this forever and it was great to see someone senior endorsing the approach. I do it in writing, too, which he may or may not endorse but I figure it's just one of those things we have to change from the ground up.

Wrangling Academic Talent

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This is a pretty specific niche, but it’s one that I’ve worked a lot over the last couple of years and I figure I might as well share what I've learned and see if I can get ideas for solutions to the problems I still face.

As a public programs manager and off-and-on graduate student, I’ve had to figure out how to balance my respect for the needs of senior scholar speakers with a lot to say (and ocassionally large egos at stake), with the always-diverse needs of a public audience. (As long as you have more than two people in the audience, they will probably have more than one reason for being there.) I was fortunate when I began working as a programs manager in that I had a mentor, my supervisor and former fourth grade teacher, Jon N., who offered me good advice, but my sense that most of us generally don’t receive much guidance in this, either as speakers or facilitators.

One thing that Jon told me was that the presenter was not there as my colleague or superior, or even as a scholar, but as someone that I had paid to do a job: to educate the audience, and so I should keep the needs of that audience foremost in mind and not be shy about giving appropriate direction. This was a big shift in thinking for me, accustomed as I was to academic settings that give a great deal of leeway and respect to “esteemed-experts-in-their-field.” Another way of thinking of it is that you are not doing your colleague a favor by facilitating a structure that will result in a poor learning environment or bad evaluations. Yet another perspective is that while you would probably never intervene in a colleague’s teaching in his or her own classroom, when he or she comes to your classroom (or public audience that you've assembled with your publicity and outreach), it’s different; you can’t expect them to know the needs of your students and it’s up to you to communicate that.

Furthermore, in most programs, the attendees themselves have a lot to add to the discussion, and if they are themselves academics or teachers, they will be jumping out of their seats to hold forth. If your greatest concern (as I’d argue it should be) is to explore your topic fully and democratically, you want to give time for their voices as well as that of the presenter.

In short, value the expertise of your presenter, but don’t underestimate the contributions of your audience, and make sure you have time for both.

With all that said (and I almost think I’d be dragging myself off stage at this point), here are my suggestions for the actual practice of wrangling academic talent:

1. Tell the presenter before they start when they should end. Not how long they have, because this is easy to forget (“when did I start?” is a fair question for anyone in the middle of things). My additional pedagogical advice is: Do not give any presenter more than 50 minutes to lecture. Tell them clearly in the invitation to speak, “You’ll have 50 minutes to lecture, and 10 minutes [or whatever] for Q&A” I really believe this. No one can listen for more than that and most presenters will go a bit over, no matter what you do. Some speakers will have an interactive model for their time, in which case it’s a little different – but you should still check their timeline and help them adhere to it and make sure they do have a reasonable pedagogical model. (For some presenters, they will think it’s “interactive” to include in their lecture a series of “Anyone? Anyone?” questions, e.g., “does anyone know what day of the week Lewis and Clark reached Fort Clatsop?”) Also, some talent will have an interactive model in their head, but then get carried away with how much they have to say and just lose track of the time. It’s very easy to do, and someone doesn't have to be a self-centered bombast to do it.

I should add that for public intellectuals for whom you’ve paid $3,000 or more, this may not apply. Maybe an audience would be happy to listent to Hillary Clinton or whoever for 3 hours straight -- but not, I think, without some drinks in front of them. To be honest, I haven’t had that much experience with that caliber of speaker, but my heart and what I know of pedagogy tells me that no human can listen productively for more than, well, 40 minutes I think is what the studies say, but we academics ignore that and say 60 minutes at the most.

2. Tell your presenter how you will give him/her a 10 minute warning. I use the “ten fingers = ten minutes” model: that is, holding up both hands with all fingers splayed. If you are a hard ass in a seminar or workshop setting, you could have the agenda for the day written in big letters on the board behind them, where you (and the audience) can see it. This helps also if you have a deadly speaker. If your participants have faith that you will keep good time, they know that the end is drawing near. (This approach reminds me a bit of my friend Kathy’s anecdote about how the local TV station in the small Midwestern town where she lived had a feature called, “The World in a Minute,” in which they broadcast the day’s international news in exactly 60 seconds, all the while a big clock ticked off the seconds in the corner so the audience knew the pain would end soon.)

3. When it’s time, give a ten minute warning from the back of the room where the audience won’t notice so much. You don’t want to disengage them. Give him/her the 10 minute warning with exactly 10 minutes remaining – not 8 or 12. That part may just be superstition but I also think it is also good practice to keep a literal time table so that your presenter, if they are paying attention to the time, has faith that you are really keeping time.

4. After 10 minutes have passed, begin what I call the sidling process (Jon N. may have used the term first). First, stand up. Then, slowly approach the podium. This is the point at which you CAN allow them to go over 50 minutes, using your discretion. If the talk is going great and the audience seems engaged (nodding, taking notes, letting out huzzahs and hosannas), given them a full hour and sidle slowly. But not more than that! For pity’s sake, never more than that. Even the most dedicated member of the “I Heart Lectures Club” will be tired by then, even if they don’t want to admit it.


Most presenters will notice you when you being your predatory approach and begin talking faster or make some nervous joke about it. Some presenters will stop short, either out of resentment, passive-aggression, or an honest deer-in-the-headlights reaction when they realize how much they didn’t cover, but this is where you have to remind yourself that the audience’s needs are foremost if your purpose is public engagement with the topic you all care passionately about, not professional development or ego-building for the presenter.

Anyway, if your presenter doesn’t eventually shut up (again with the discretion), wait until you are right beside them and he/she takes a breath of some kind and then say,

5. Say, “I’m so sorry to have to cut this short, but I want to be sure that we have plenty of time for questions and answers because I know the folks here in our audience have a lot to say.” My feeling on this part is, you don’t want to tell people exactly how long for Q &A in case there aren’t really that many questions.

6. Retreat off stage or to the side, but remain standing at the side during the Q & A. Nod a lot to show your engagement with the awesome discussion that is taking place, unless there are really weird off-base questions in which case you can look quizzical – maybe tilt your head and put your hand to your chin. “Hmmm.”

If your presenter gets a question that is flat-out hostile or insane, I’m actually not sure what to do because I (luckily) haven’t had to deal with it. Portland’s neighborhood association probably has a lot more to add in this area in their community leader program, and I’ll bet there’s other literature on this topic out there, as well.

What I’ve seen Portland City staff do at community meetings with continual hecklers is say, “I think it’s time we hear from someone else,” and then, if it’s really out of control, ask the audience, “should we move on?” and let the audience show their displeasure at having the agenda taken over by some nut case. If the majority of the audience is nuts, you should just run for the hills – i.e., cut q & a short by saying, “thank you so much for these questions [more applause] and to our presenter.”

Another alternative I can imagine, if you have one hostile questioner but a mostly sympathetic audience might be, “I’m not sure that’s an appropriate question for Dr. So and So.” Odds are, if you have a controversial speaker and the talk is open to the general public, the presenter will know how to handle it. But ultimately the responsibility for providing a civil context is up to you and if it gets rude, it’s up to you to cut it off and protect your talent and the normal members of your audience. But like I said, I haven’t had to deal with this so much. I’d be interested in what other people have to say on this topic.

End of scary digression. When the questions start slowing down or it gets beyond 15 minutes or so for a public audience (maybe longer for a classroom of adult learners), sidle up again and say, “We have time for one last question.” (This is the most frustrating part for everyone who has a question remaining but the happiest part for those who are bored or need to pee but are too polite to show it.)

7. After that last question, and the probably lengthy response which brings in every last point the presenter every hoped to cover, walk over to right beside the talent and say with great feeling, “WOW! thank you SO much” (everyone applauds because you start while saying thank you), “I feel like we could go on for hours, and I encourage you all to continue this conversation less formally during the reception/break/book signing/small group discussion.” -- whatever format will be available.

8. If the presenter has previously agreed to share his/her email address or other contact information, remind the participants of this and give them the email address, which you or he/she can put on the white board or whatever.

Everyone takes a break except for the gung-ho who surround the presenter and pepper him or her with questions. I generally let this go on for awhile until it’s slowed down and then walk up to them and say, “thank you so much; that went over really well; I can’t wait to work with you again.” But if there is a reception or book signing next on the agenda, I wait until the majority of the audience has moved to the next area and then intervene by getting the presenter from the podium to the reception or book signing by saying, “these are really great questions and I’ll bet other people would love to hear this – can I get you guys to continue your conversation over here?” (I usually add a joke about being annoying or whatever.) Incidentally, this is the hardest part for me to play wrangler because this is often when really interesting and personal connections between the audience and the presenter will emerge. People who are uncomfortable talking about how their grandmother experienced/suffered through such-and-such will use this time to do so, and the presenter often seems to make good and productive connections, as well. I don’t play the hard ass in cutting this short when it’s clear that kind of connection is taking place. On the other hand, if there are small groups or a book signing to attend to, you can’t expect your presenter to cut that kind of thing short, so encourage the exchange of email addresses or other contact information if it seems appropriate.

Incidentally, one of the things I do if I have the same group for a week or so is to set myself up as the “friendly bad guy.” For instance, in groups within which I’ve established some trust and professional credibility, I’ve told them how I was appointed the “timekeeper dominatrix” at a wedding in San Francisco (this sounds a lot more exciting than it was, . Overall, I want to stay on good terms with the audience, but if someone has to be the bad guy, it should be me and not the presenter, who will (if he or she is good) want to show his or her willingness to give and engage, but they still need to engage everyone else and sell books and you still need to keep time for the overall program.

After the Event

Give them their check. If possible, have it available when they speak.

Write them a thank you note. I like to use positive comments from the audience in these whenever possible. Here’s an example:

“Dear Esteemed Expert:

I am writing to express our appreciation here at Public Agency for the talk you gave as part of our “Extremely Important Topic ” lecture series. The audience at Quaint Location responded with great enthusiasm to your lecture of Date.
We thought you might appreciate some of the feedback and information we received from the program evaluations. Approximately 65% of the 60 attendees returned evaluations from the program at the Quaint Location. The response to your presentation was overwhelmingly positive. The average scores given on a scale of 1-9 was 8.6 for enjoyment of the program and 8.3 for increased knowledge of history. Written comments included:
“Wonderfully knowledgeable speaker! I look forward to his further works and efforts!”
“Very informative. Great speaker. Good sources of information.”
“Excellent coverage of an aspect of Important Topic that gets very little emphasis. A refreshing ‘conversation’”
“I really enjoyed the lecture thoroughly. Not only was Engaging Expert an excellent lecturer on Important Topic, he had an incredible sense of humor!”
“The lecture was to the point and relevant to the topic (not boring!)”
“Time slipped by too fast!”

As a Program Manager [Project Director, or whatever your title is], I was impressed by your prompt response to our requests for information before the talk that allowed us to do good publicity for the event. I was also struck by your generosity in answering audience questions during your lecture and at the reception, both in terms of the time you spent and the respect you showed to audience members. It is a wonderful thing to find an expert in his field who enjoys engaging the wide variety of perspectives that come from the general public. When it happens, it fulfills the best promise of public programs. Thank you again."

That bit of fluffery is based on an extra charming, intelligent presenter who fielded some very off-base questions. For presenters who give a lackluster talk and only answer two questions, I don’t say all this – I just say, “thank you.” But in this case I wanted to show how much I appreciated his talk on a feel-good level, and went beyond because you never know what will help your presenter. If you’ve got big bucks for a big name speaker, he or she may not need detailed praise on a professional basis, but he or she still probably has a strokable ego, and in other cases it may help your presenter with his or her tenure portfolio or in gaining future speaking gigs. You’ll be encouraging speakers to do this kind of thing again if you give them what they need beyond the honorarium, and you’ll also be letting them know what you found valuable (e.g., publicity materials).

Whether or not to include negative comments is something I’ve pondered without conclusion. How to help academics and intellctuals who don’t really know how to communicate their good ideas well is a challenging question and something I’d like to hear from others on. It doesn’t help someone professionally to merely not invite them back again. But on the other hand, it can be very hard to say to someone, “your Power Point was dullsville, dude.” If there are good models for helping academics breach that gap, and actually learn from their engagement with the public, I’d love to hear about them.

One suggestion I have to my friends who are academics is that if you are an invited speaker at a public setting, you could ask to see the complete evaluations. Not everyone does program evaluations, but we always do, and I'd be more than happy to share the results with somone who requested them -- even (and maybe even particularly) the folks who got bad evaluations.

Survival Books

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I always wanted to write a dissertation on survival stories. It would have chapters on the following topics:

1) Water Logs: Lost at Sea
2) "So Very Cold": Polar Exploration
3) 48 Hour Adventures: Mountain Climbing Disasters
4) "It's What's for Dinner!": Hunger, Cannabilism and Pee Drinking (may each deserve their own chapters)
5) Pets or Food: Animals in Survival Stories (would have a special section on British survivalists)
6) "Survivor": Broadcast Survivalism

Whip out an introduction and conclusion, and you're done!

Here are some of my favorite survival books to date (I'm going to add to this list when I get home and as I think of them -- I can't remember the names of some of them -- like the one with the jewish girl who gets in a plane crash in alaska with a mormon guy who becomes convinced that he needs to convert her for them to be rescued by god -- that was published by Scholastic, which seems to have put out a few survival stories for kids -- and why not! kids love 'em!):

"Adrift: Seventy-six days lost at Sea," by the fabulous Steve Callahan

"The Wreck of the Medusa The Tragic Story of the Death Raft" by Alexander McKee.

The Worst Journey in the World by Aspley Cherry Garrad.

Alive! by Piers Paul Read (here's a nice site on the Andes survivors).

Endurance: Shackleton's Incredible Voyage, by Alfred Lansing

Long Walk : the True Story of Trek To Freedom by Slavomir Rawicz

I was thrilled when I realized that there was an actual Library of Congress subject heading devoted to these things -- "Survival after airplane accidents, shipwrecks, etc." Some people just call them men and women against nature books.

Let's face it, I'm not going to write a dissertation anytime soon.

But Susan and I ARE going to have a survivalist/cannnibalism book club! We will definitely serve snacks when we meet. Let me know if you want to join in the fun!

p.s. You know what's also really good? post-apocalyptic stories! (not the religious ones) but those are fictional -- so far, anyway. More on those later maybe.

Survival Books

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I always wanted to write a dissertation on survival stories. It would have chapters on the following topics:

1) Water Logs: Lost at Sea
2) "So Very Cold": Polar Exploration
3) 48 Hour Adventures: Mountain Climbing Disasters
4) "It's What's for Dinner!": Hunger, Cannabilism and Pee Drinking (may each deserve their own chapters)
5) Pets or Food: Animals in Survival Stories (would have a special section on British survivalists)
6) "Survivor": Broadcast Survivalism

Whip out an introduction and conclusion, and you're done!

Here are some of my favorite survival books to date (I'm going to add to this list when I get home and as I think of them -- I can't remember the names of some of them -- like the one with the jewish girl who gets in a plane crash in alaska with a mormon guy who becomes convinced that he needs to convert her for them to be rescued by god -- that was published by Scholastic, which seems to have put out a few survival stories for kids -- and why not! kids love 'em!):

"Adrift: Seventy-six days lost at Sea," by the fabulous Steve Callahan

"The Wreck of the Medusa The Tragic Story of the Death Raft" by Alexander McKee.

The Worst Journey in the World by Aspley Cherry Garrad.

Alive! by Piers Paul Read (here's a nice site on the Andes survivors).

Endurance: Shackleton's Incredible Voyage, by Alfred Lansing

Long Walk : the True Story of Trek To Freedom by Slavomir Rawicz

I was thrilled when I realized that there was an actual Library of Congress subject heading devoted to these things -- "Survival after airplane accidents, shipwrecks, etc." Some people just call them men and women against nature books.

Let's face it, I'm not going to write a dissertation anytime soon.

But Susan and I ARE going to have a survivalist/cannnibalism book club! We will definitely serve snacks when we meet. Let me know if you want to join in the fun!

p.s. You know what's also really good? post-apocalyptic stories! (not the religious ones) but those are fictional -- so far, anyway. More on those later maybe.

My more published friends might enjoy google's new search engine, Google Scholar. Sadly (or maybe fortunately?) it doesn't include image searching as an option, but it's beta so maybe it will eventually ...

I think having a great idea is that much more fun if you get to submit it to a contest, and I want to enter this one! (I just ordered my mousepad, btw, from the last contest I won -- and I'll let you know how sweet it is when it arrives! It'll be almost as sweet as the victory itself, I'll bet!)

So, for the Mary's Great Citation Style contest:

You should create a citation style that people must use in this blog if they want to cite things. Just like when you submit to a journal, you submit using their citation style.

Be sure to tell us how to cite books, journals, websites, and personal communication. Don't worry about the rest unless you want to, or unless you want to point out a way to cite something that is not commonly cited but should be (could you cite a scent, for instance?).

The rules are:

1) The style must be do-able in any common font. (No cyrillic, Thai, etc.) Ideally, no wierd typing at all so curb those umlauts. All other formatting options are open. UPDATE: USE ANY FONT YOU WANT, INCLUDING WING DINGS. Good luck getting Thai to work on this site, though.
2) You must actually be able to find a source using the citation.
3) Ideally, you could then create an Endnote style which could generate it. What would be my dream is to be included in the packaged list of styles. But at the very least I could submit it to the user lists for Endnote.

Them's all the rules I can think of.

First Prize: One marysgreatideas coffee mug!

Enter here with a comment by Dec. 2, 2003. Winner will be announced here and then it's up to you to get in touch with me if I don't already have a way to contact you.

Disclaimer: I reserve the right to cancel this contest at any time. I decide who wins. If no one enters, no one wins. If there are only lame entries, no one wins. If I make the best entry, I win.

atom.gif

Kathy had a great idea for a tattoo, which is to have one of an atom. It would be super cool because it's kind of '50s cold war'ish (which we both study), and it kind of looks like a flower, and it's simple, yet geometric. It means something, but it's pretty, but not insipid, etc. etc.

Anyway, I thought this was a terrific idea and decided if I ever had a tattoo, this would be it. My only hesitation was that it was really Kathy's idea, and I would feel kind of bad if she didn't get some credit for it.

SO -- I decided if I ever got the tattoo, I would have to (get ready!): FOOTNOTE IT! You know, like, a little note on my foot crediting her. I would have the atom tattoo where ever (on my calf or hip or boob or what have you) and then a little superscript "1" and then on my foot (maybe opposite my arch?), I'd have a little superscript "1" and a note saying, "I am indebted to my colleague Katherine P. for this tattoo concept" or "Katherine P., personal communication, October 20, 2000." (Kathy, let me know if you want to be credited by full name on this website, and I'll do it.)

It would be great! I've been tempted to get a tattoo ever since I had this idea, particularly when I was living with Kathy, because the town we were in, Adrian, Michigan was home not only to the world's largest collection of cement lawn geese, but also more tattoo parlors per capita than any other town in the midwest (Mary W. and Kathy P., personal communication, November, 2000).

Then I told my mom about the idea and she suggested that if I was so excited about getting a tattoo, why didn't I try drawing it on myself first? It would be free, and I could see how I liked it.

I did that for a few days (just the atom, not the footnote -- too lazy, and too ticklish) and then I got bored and forgot about it and besides, atoms are actually hard to draw. I realized Betsy was probably right: If I wasn't stoked enough about the idea to take the 2 minutes a day to draw it on, I probably didn't want to look at it on my flesh for the rest of my life. Maybe I'll do it all in henna for some special occasion.

If any of you do it, now you'll have to say, "Katherine P., Personal Communication, October 20, 2000 as cited in Mary W., Mary's Great Ideas [website], November 19, 2003, retrieved November 20, 2003, available from marysgreatideas.com." or however the heck people are citing websites. To tell the truth, I've never really learned any citation style very well. I don't even really know what historians are supposed to use -- Chicago? Turabian? Is there even a difference? I hate APA. Thank god for Endnote. At least it's not like the sciences, where every journal has it's own darn style format. It's crazy!!

Maybe I'll make up my own citation style and anyone wishing to comment on my blog must submit their work formatted according to the Mary style guidelines. That would make me feel powerful! Then I could endlessly hassle people for messing it up. And I could update it every week. Maybe I'll do that. Probably not, though.

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