
If I were a photographer, I'd take a series of pictures featuring lots of different people with their Christmas presents.
I went to go see Patrick's photos and Shawn's photos this last week -- about 200% more art shows than I generally go to in a given week year.
I also enjoyed Dennis Chamberlin's "Screen Culture" photos, which were next door to Shawn's, and seeing them, combined with finally downloading my pictures from Christmas, gave me the idea for a Christmas Gift series.
The thing I like about this idea is not so much the opportunity to give some heavy-handed commentary on the excesses of consumerism or the weight of family anxieties or even the pleasures of modern domesticity. What I like is the fact that it would be really difficult to do unless you spent, like, 5 to 10 years doing it. Because really, you could only really make it to, say, three Christmas gift opening frenzies a year. (It's funny to me that we don't have a word for that -- that time when we all open our Christmas presents together and make a huge mess in the living room -- do we?) Because everyone's doing it at more or less the same time -- some people might do it in Christmas Eve, and some might do it earlier or later on Christmas morning, but even so, you've still got a pretty narrow window. It's kind of like Ian's idea for doing a history of the FBI witness relocation program: challenging for logistical reasons. Plus! Assuming you celebrate Christmas yourself, you'd have to give up celebrating it in any kind of relaxing way, if you were zooming around town trying to get to other people's opening frenzies. So, if nothing else, an audience would have to respect your persistence and sacrifice.
I'm pretty literal in my appreciation of photography -- once I get past the aesthetic response of "that's pretty!" (or ugly, or whatever). Patrick's photos make me wonder which of the construction workers he got to know, or how high he was off the ground when he took them. Shawn's make me think things like, "hey! cute animal!" (or sometimes, "what's an animal doing there?!") or, "do I know that person?" and with the Portland Grid Project I'm all about trying to figure out if I can recognize where the pictures were taken. I'm basically shallow as hell.
My main response to "Screen Culture" was to wonder: how did he get in all these people's living rooms? Are they all friends or family?
My other thought was, "Man, that looks relaxing," which I suspect is not what a lot of people think when they see other people staring blankly at screens. It's kind of like the time Tim and I were driving late one rainy night in Bremerton and saw some police lights flashing in the distance and I said without thinking, "Man, those lights make me feel like drinking."
Anyway, here's Betsy and Porter enjoying two of Sol's Christmas presents. This is a crappy photo -- but this website brings the ideas, not the goods. Just imagine about 20 or so of these, only good, and with all different families, and you'd have yourself a show (or a Life Magazine story, anyway). And after you put in your time on Christmas and established yourself as a photographer of people opening presents, you could move on to birthdays and finally get your life back.
In the meantime, if you want to see some actually good photography, Patrick's show, featuring his photos of construction of the Portland Tram, Max, and from the Portland Grid Project, is at Marylhurst in the Art Gym through February 14. Shawn's photos from his series, "At a Loss" are up at at Nine Gallery (1231 NW Hoyt -- aka, just inside the Blue Sky Gallery) through January 29th.